As a filmmaker I work with teams of people on written scripts that are then worked into storyboards (visual ideas that inform the shots of actors captured with cameras). This material is then re-worked again in the editing room. At every stage of the process we are trying to build ‘characters’ that stand, live, are credible, engaging and reveal fundamental human qualities. A story is about revealing a character.
As a sculptor I am thinking more and more in the same way, though my characters are seemingly static, they need to have a narrative to generate a sense of life and engage the viewer. A sculptor works alone so the processes appear less apparent however they remain the same; a sketch or thought (a script); collecting and capturing material/s (shoot); assembling them (edit); seeking a narrative, a struggle, a test of character, a story. I want the viewer to connect emotionally with my sculptures and then discover the other ideas within them.
Leslie Oliver, 2009
Select Exhibitions
- Leslie Oliver
- Leslie Oliver - Narrative Objects and Surfaces
- SCULPTURE 2009 - Animal Farm
- Melbourne Art Fair 2008 - Royal Exhibition Building, Carlton
- Leslie Oliver - Gesture Here Gesture Now
- Art + Humour Too - Curated Group Exhibition
STOCKROOM SEARCH
Stockroom: Leslie Oliver
Please click on thumbnail for enlargement and work details
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Another Kind of Arc
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Could We Spin Away?
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A Set in Stone: Sleeping on Show
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A Set in Stone: Blue Light Life
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A Set in Stone: To Be Worked
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The Ark Will Need to be Big
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A Set in Stone: Visual TriX
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Many Woods Gather
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The Stone Helps The Balance
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Embrace
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Little Wheel
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Put Forward To See
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Friends with Wings
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Protecting What?
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Spring Forth
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Choose an instrument and I'll tell you what it does
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