As a filmmaker I work with teams of people on written scripts that are then worked into storyboards (visual ideas that inform the shots of actors captured with cameras). This material is then re-worked again in the editing room. At every stage of the process we are trying to build ‘characters’ that stand, live, are credible, engaging and reveal fundamental human qualities. A story is about revealing a character.

As a sculptor I am thinking more and more in the same way, though my characters are seemingly static, they need to have a narrative to generate a sense of life and engage the viewer. A sculptor works alone so the processes appear less apparent however they remain the same; a sketch or thought (a script); collecting and capturing material/s (shoot); assembling them (edit); seeking a narrative, a struggle, a test of character, a story. I want the viewer to connect emotionally with my sculptures and then discover the other ideas within them.

Leslie Oliver, 2009

 

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Stockroom: Leslie Oliver

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Another Kind of Arc
Could We Spin Away?
A Set in Stone: Sleeping on Show
A Set in Stone: Blue Light Life
 
A Set in Stone: To Be Worked
The Ark Will Need to be Big
A Set in Stone: Visual TriX
Many Woods Gather
 
The Stone Helps The Balance
Embrace
Little Wheel
Put Forward To See
 
Friends with Wings
Protecting What?
Spring Forth
Choose an instrument and I'll tell you what it does