RECENT Exhibitions

Art Stage Singapore

- Marina Bay Sands Exhibition and Convention Centre, 2015

22 to 25 January

Across fifteen panels, ‘Long Take – Slow Dissolve' encapsulates the aesthetic and energy of a contemporary, urban environment. Though the artist uses layers of iconography that are site-specific, such as the National Gallery of Victoria's ‘water-wall’ and a veil of hanging ping-pong balls installed at the end of a tiny alley in Melbourne, Robert Boynes' work evokes the overall energy of the big city, imaging no particular place and therefore lending itself to reflect any modern metropolis. Fractured imagery of crowds, references to the chaotic noise of communication, glowing fluorescent lights and junctions of human interaction are composed in a linear narrative - colours and shapes radiating from the canvases throughout the strip. The heat and activity of many of the panels in ‘Long Take – Slow Dissolve' are grounded and juxtaposed with moments of strong colour and texture, though a definite emphasis on the human form in relation to urban spaces is always evident. Though each canvas is compiled of multiple layers, they exist as fleeting moments; peripheral glimpses of a familiar city-scape.

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Christmas Show

- New Works for $1000, 2014

2 to 20 December

To celebrate the end of another year and continuing in the tradition of the ever popular Access and Brenda May Gallery Birthday Show, the Gallery presents a special Christmas Show.

Included in the exhibition will be works from our represented and supported artists, made especially for the occasion. All sold work will be remove and replaced so do check back.

As in previous years, the show will open at 6pm sharp on Tuesday 2 December with all the works for sale generously priced by the artists at $1,000 for the duration of the show. We hope you can join us for what has proved to be an exciting and fun exhibition.

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Robert Boynes

- Paintings from the 1960s - 1970s

London Calling...

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Sybil Curtis

- Structures in the Landscape, 2014

4 to 29 November

When travelling through the flat, monotonous country of inland Australia, agricultural and mining structures are often visible for a considerable distance, rising like giant sculptures out of a flat plain: three-dimensional forms intersecting horizontal lines.

On an abstract level, I continue to use touches of red and yellow which vibrate with more energy when surrounded by subtle browns and greys, rather than combined with other strong colours.

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Elephant in the Room

- Animal Welfare League fundraising exhibition, 2014

4 to 29 November

A portion of the sales in this exhibition, depicting critters, creatures and canines, will directly benefit the Animal Welfare League NSW. The Gallery is pleased to donate half of their commission on each sale to the AWL to support them in caring for surrendered, neglected and abandoned animals. AWL has been in operation for over 50 years and maintains two shelters, a veterinary clinic and twelve branches of volunteers and we are delighted to be able to support them.

Artists include Sybil Curtis, Amanda Davies, Todd Fuller, Ashleigh Garwood, Jody Graham, Claude Jones, Irianna Kanellopoulou, Waratah Lahy, Helen Mueller, Mylyn Nguyen, Uracha Oliver, Janet Parker-Smith, Patsy Payne, Hanna Tai, Lezlie Tilley, Peter Tilley, and Nicole Welch.

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Tanmaya Bingham

- English Tea Party...gone wrong, 2014

7 October to 1 November

My 'English Tea Party…gone wrong' is an installation that typifies an ongoing epidemic plaguing Great Britain; TEA, the most sought after narcotic on the British market, and the drug of choice in the United Kingdom since the 18th century.

In this installation addicts have gather together for the ritualistic “Tea Party”…but something has gone wrong. The degradation of the party becomes apparent in its’ aftermath as each junkie is feeling the adverse effects and ramifications of overdosing on tea.

Group scenes of these individuals’ highs and lows are captured in large drawings tacked to the wall. Extruding out from the base of each drawing, across the floor, are low banquet tables covered in white tablecloths. Each table has disheveled tea and tea paraphernalia randomly distributed between mounds of scones, jam and random objects. This installation is just one example of what is happening on a large scale throughout England.

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