Our current exhibitions will be on view until Saturday 17 August and a reminder that they are all eligible to be reviewed for the 2 Danks Street Award for Contemporary Art Criticism. Don’t forget all the Galleries are open late every Wednesday night until 7pm and our own Danks Street Diner and Luke Mangan’s tasting room next door, ‘Mojo‘, are now also open every Wednesday from 5pm! Parking’s a breeze…
▶ AL MUNRO, Patterns from an invisible world
Al Munro’s canvas works reveal visual formations created through crystallographic studies, magnifying them into detailed maps of meticulously composed concentric circles. Munro creates a sense of the infinite nature of these “patterns from an invisible world”, allowing some of her hand-drawn dots to escape the surface of the canvas and spill onto the surrounding wall. Further extending this visualisation and continuing her use of fibre, Munro presents an installation of vibrant crocheted ‘targets’ that are essentially zooming into her canvas works, enlarging the small multi-coloured circles.
▶ TANMAYA BINGHAM, Pigs and their friends
Tanamaya Bingham’s recent works are diverse in their materials, presentation and sensibility, providing a stimulating and engaging exhibition. Bingham’s series of six tiny ‘Pet’ works not only display her astounding ability to scrupulously render lifelike depictions in coloured-pencil, but also reveal endearing relationships. Her ‘Almost Animal’ series, drawn in graphite, feature the heads of familiar animals possessing an attribute that is not quite right, encouraging curious double takes. Also in this exhibition are new works incorporating collage, exuding a mix of the whimsical and the macabre.
▶ MARGUERITE DERRICOURT, Travelling Light
This exhibition, focusing on the life, nature and mannerisms of moths, emanates a sense of flutter and flight. Holding the centre of the room is Derricourt’s substantial sculpture, ‘Ghost Moth I’ – a claustrophobic cluster of activity in Corten steel. Moulded from Japanese paper, the artist has created a series delicate and textural pieces in white, grey and blue hues, which seemingly have just alighted gently onto the wall’s surface. Appearing to launch themselves from the walls, the ‘Shadowlands’ series visually defy their weighty material.